Edouard Vuillard's Oil Paintings
	Edouard Vuillard Museum November 11, 1868-June 21, 1940. French painter.
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Here are all the paintings of Meindert Hobbema 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
95955		A Watermill beside a Woody Lane	circa 1665(1665) Medium oil on canvas cyf
87042		A Wooded Landscape	1667(1667) Medium Oil on panel Dimensions 24 x 33.5 in (61 x 85.1 cm) cyf
67362		allen vid middelharnis	1689 se
33737		Avenue at Middelharnis	mk86 1689 Oil on canvas 103.5x141cm London,National Gallery
21812		Avenue at Middelharnis (mk08)	1689 Oil on canvas 103.5x141cm London,National Gallery
2319		Avenue at Middleharnis	1689 National Gallery, London
2323		Cottages Beside a Track Through a Wood
83861		Cottages beside a Track through a Wood	Medium Oil on panel cjr
87726		Cottages beside a Track through a Wood	Oil on panel cyf
90247		Dorf mit den Wassermuhlen	c. 1668(1668) Medium oil on panel Dimensions 59 x 82 cm cjr
86116		Hut among Trees	Date 1664(1664) Medium Oil on canvas cjr
67361		kvarnen	1692 se
10252		Landscape	Panel,Alte Pinakothek,Munich
10251		Landscape with a Hut	c. 1660 Oil on wood, 53 x 65 cm Museum of Fine Arts, Budapest
89675		Landscape with a Hut	1660(1660) Medium oil on panel cyf
2320		Road on a Dyke	1663
10253		Road on a Dyke	1663Oil on canvas 108 x 128,3 cm
31331		The Alley at Middelharnis	nn07 1689 Oil on canvas, 103,5 x 141 cm National Gallery, London
43179		The Avenue at Middelharnis	mk170 1689 Oil on canvas 103.5x141cm
40525		The Avenue at Middlehamis	mk156 1689 Oil on canvas 103.5x141cm
43180		The Ruins of Brederode Castle	mk170 1671 Oil on canvas 82x106cm
2321		The Travelers	1662 National Gallery of Art, Washington DC
10254		The Travelers	1663Oil on canvas National Gallery of Art, Washington
10256		The Water Mill	1660Oil on canvas 80 x 66 cmLouvre
10257		The Water Mill	The Water Mill 1663Oil on wood 77,5 x 111 cm Musees Royaux des Beaux-Arts, Brussels
89758		The Water Mill	between 1663(1663) and 1668(1668) Medium oil on panel cyf
89782		The Water Mill	second half of 17th century Medium oil on oak cyf
20605		The Water Mill (mk05)	Canvas 31 1/4 x 26''(80 x 66 cm)Acquired in 1861
10258		The Watermill Oak	59,5x84,5cm Gemaldegalerie, Dresden
43181		The Watermills at Singraven near Denekamp	mk170 1665-1670 Oil on oak 60x84.5cm
92719		View Along the Amstel	c. 1660 Medium English: Oil on panel Dimensions 13 3/4 x 18 3/4 in. (34.9 x 47.6 cm) cjr
38197		Village with Water Mill Among Trees	mk29 Oil on oak panel 94.3x129.8cm
24179		Watermill beside a Woody Lane (mk25)	166(5 or 8)
82184		Windmill at the Riverside	Date ca. 1659/1660 Medium Oil on panel Dimensions 28 x 37 cm cjr
85844		Windmill at the Riverside	1659/1660 Medium Oil on panel Dimensions 28 x 37 cm cyf
24180		Wooded Landscape with Travellers (mk25)	1668
10259		Wooded Landscape with Water Mill	1662 Oil on canvas Art Institute of Chicago
2322		Woodland Road	Metropolitan Museum of Art, New York

Meindert Hobbema

1638-1709 Dutch Meindert Hobbema Galleries In the exercise of his craft Hobbema was patient beyond all conception. It is doubtful whether any one ever so completely mastered as he did the still life of woods and hedges, or mills and pools. Nor can we believe that he obtained this mastery otherwise than by constantly dwelling in the same neighbourhood, say in Guelders or on the Dutch Westphalian border, where day after day he might study the branching and foliage of trees and underwood embowering cottages and mills, under every variety of light, in every shade of transparency, in all changes produced by the seasons. Though his landscapes are severely and moderately toned, generally in an olive key, and often attuned to a puritanical grey or russet, they surprise us, not only by the variety of their leafage, but by the finish of their detail as well as the boldness of their touch. With astonishing subtlety light is shown penetrating cloud, and illuminating, sometimes transiently, sometimes steadily, different portions of the ground, shining through leaves upon other leaves, and multiplying in an endless way the transparency of the picture. If the chance be given him he mirrors all these things in the still pool near a cottage, the reaches of a sluggish river, or the swirl of the stream that feeds a busy mill. The same spot will furnish him with several pictures. One mill gives him repeated opportunities of charming our eye; and this wonderful artist, who is only second to Ruisdael because he had not Ruisdael's versatility and did not extend his study equally to downs and rocky eminences, or torrents and estuaries - this is the man who lived penuriously, died poor, and left no trace in the artistic annals of his country. It has been said that Hobbema did not paint his own figures, but transferred that duty to Adriaen van de Velde, Lingelbach, Barendt Gael, and Abraham Storck. As to this much is conjecture.

All the Edouard Vuillard's Oil Paintings

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